Content
AY 2025

Diversity and Safety

Chapter

【第一部】開会挨拶、機構紹介、趣旨説明
00:00
原和之「精神分析と性的多様性:『理論』の果たす役割」
12:08
岡真理「Genos-Cide に抗して、あるいは《未来》というホームランド」
41:31
【第二部】問題提起
1:15:28
井芹真紀子「〈リスク〉のロジックに抗して:セイフティ、コミュニティ、アクセス」
1:16:39
井谷聡子「『女子スポーツの安全』を脅かすのは誰か」
1:32:51
髙谷幸「『共生』とセキュリティ:移民のセキュリティ化の中で」
1:49:24
本山央子「フェミニスト政治経済学の視点から考える多様性と安全」
2:05:02
【第三部】基調講演 Judith Butler「Facist Passions」
2:21:13

As the promotion of Diversity & Inclusion (D&I) has become a major issue, "diversity" and "safety" are increasingly being framed in opposition to each other, often carrying a certain tension. The D&I division of the Komaba Organization for Educational Excellence, which traces its roots to the previously unprecedented Safer Space initiatives at a Japanese university, has also faced this tension in various circumstances through its educational and research activities. While being grounded in the field of liberal arts education, we intend to confront this relationship of tension and reexamine the possibility of coexistence of diversity and safety.

Lecturer

The University of Tokyo Graduate School of Arts and Sciences / Professor
※Affiliations and positions are as of the time of recording.
College of Arts and Sciences, Associate Professor
※Affiliations and positions are as of the time of recording.
University of California, Berkeley / Distinguished Professor
※Affiliations and positions are as of the time of recording.
Graduate School of Arts and Sciences, Professor
※Affiliations and positions are as of the time of recording.
Waseda University, Professor
※Affiliations and positions are as of the time of recording.
東京大学教養学部附属教養教育高度化機構D&I部門 特任助教
※Affiliations and positions are as of the time of recording.
Kansai University,Faculty of Literature, Associate Professor
※Affiliations and positions are as of the time of recording.
東京大学大学院人文社会系研究科 准教授
※Affiliations and positions are as of the time of recording.
Ochanomizu University
※Affiliations and positions are as of the time of recording.
Graduate School of Arts and Sciences, Professor
※Affiliations and positions are as of the time of recording.
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