Content
AY 2023

A Recognition of Disaster as “Wonder” : Reading Hōjōki by Kamo no Chōmei [JP]

Chapter

鴨長明略年表
05:36
方丈記とは
19:45
元暦の大地震
23:47
地震の原因は祟りか
31:32
地震の原因は龍動か
38:31
災厄の因果関係を記さない、「世の不思議」と記す方丈記
43:13
安元の大火
53:40
「風に耐へず吹き切られたる焔」 地獄絵の様相
59:29
仏教の世界観
1:01:46
「国宝 六道絵」に見る地獄絵
1:04:04
方丈記が描き出す景ー俯瞰的、眺望的な視点と臨場感
1:12:36
宇治拾遺物語に描かれる火災ーその迫真性
1:17:38
災害文学として享受される方丈記の価値と魅力
1:21:29
質疑応答
1:22:26
AY 2023

A Recognition of Disaster as “Wonder” : Reading Hōjōki by Kamo no Chōmei [JP]

2:20

We have a lot of classical literary works in Japan, but few of them have disaster as their theme. Almost the only one that comes to our mind is Hōjōki by Kamo no Chōmei. Renowned for its opening lines---- "The flow of the river never ceases, and the water never stays the same."---- and the view of impermanence (mujō), Hojoki focuses on five major disasters and social upheaval (massive fire, tornado, relocation of the capital, famine, and earthquake) that occurred in the period of great change between the Late-Heian and the Early-Kamakura. How can literary works support the memorization of disasters and their transmission to future generation? We will try to consider this important issue of our time through Chōmei’s work which has been read for over 800 years.

NOTE:
- This lecture was conducted only in Japanese.

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Lecturer

the University of Tokyo Graduate School of Humanities and Sociology / Associate Professor
※Affiliations and positions are as of the time of recording.
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